A musical animated journey through the fascinating history of soup.

Three very handsome gherkin-hurlers hurl a gherkin at life. Electing to live like the men they admire - men like the distinguished Sidney Poitier - the Soup du Jour boys chase the path of the white whale of compassion, the white dragon of riverine revelry and a black heir of grace.

Books du Jour introduces a brand new literary program with a simple premise. Every week, the host invites three authors to lunch to discuss their work and their main concerns about life at large. The guests for the pilot are Ayana Mathis, "The Twelve Tribes of Hattie"; Gary Shteyngart, "Little Failure: A Memoir," and Joshua Henkin, "The World Without You."

Brandon Craig is a regular guy who loves split pea soup and happens to be in monogamous relationships with three amazing women: Monique, his photo editor boss; Wendy, an undercover cop; and Franki, host of the popular Internet show Missleblast. Brandon knows he must eventually choose between them, but when all three women wind up in the same place at the same time to sample Brandon's favorite soup, his love life boils over. Even though there are lots of flavors to choose from - you just can't have 'em all!

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http://www.youtube.com/watch?v=dq7GMJH9qFc 4 min

“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

A down-on-her luck prostitute embarks on a wild adventure that puts her in contact with the Mafia.